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Ataque Frontal: S​/​T (Punk Hardcore HXC * Raw Fast Crust * Subterranean Rock Peru '86)

by Ataque Frontal

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Asco 01:37
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Sobreviviré 01:30
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Memorias 01:34
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about

Ataque Frontal:
José Eduardo Matute: guitarra (guitar)
Raúl “Montaña”: bajo, guitarra solista (bass, lead guitar)
Silvio “Espátula”: voz (vocals)
Fernando Boggio: batería (drums)

En la década de los 80’s, la violencia se acentuó mas en el Perú; Lima se tornó en un lugar muy peligroso por las acciones de los extremistas, la represión policial y estatal. Los gobiernos corruptos llevaron al colapso la economía del país.

En este escenario aparecieron jóvenes de distintas procedencias de la ciudad con proyectos o bandas, con un sonido sucio y crudo, con un contenido narrativo; a este movimiento se denominó rock subterráneo. Letras de canciones en contra de lo establecido liberan toda la incertidumbre que agobiaba a los jóvenes de entonces: hazlo tu mismo y sé independiente.

Las primeras bandas en aparecer en este novedoso espacio son Leusemia, Narcosis , Zcuela Crrada, Guerrilla Urbana y Autopsia. En Autopsia. Silvio cantaba (o gritaba podría decirse), este grupo nace de la disolución de Narcosis.

José Eduardo Matute invita a Silvio -que por entonces se le llama “Espátula”- a Guerrilla Urbana, que incluía a dos integrantes de Leusemia, al poco tiempo con el ingreso de Raúl Montañez -Montaña- (La Máquina del Rock, Leusemia, Zcuela Cerrada) y Fernando Boggio, cambian el nombre a Ataque Frontal.

La grabación del material fue en directo y empezó por la mañana y terminó antes que caiga la noche, se realizó en el estudio de Miki Gonzáles y el ingeniero de sonido fue Wicho García -vocalista de Narcosis- y contamos con los instrumentos que nos prestaron colegas de otra bandas, era 1986. La portada y el diseño del disco fue creado por el artista Jaime Higa y la foto de la contratapa la hizo la poeta Dalmacia Ruiz Rosas Samohod.

José E. Matute trabajó mucho conectando con sellos internacionales, enviando esta grabación en cartas y es por eso que esta banda fue lanzada en varias cintas de maquetas en Perú, Alemania, Francia, Noruega, Grecia, etc., entre 1986 a 1989. Finalmente, todas las pistas de esta grabación fueron editadas en 7" por New Wave Records - Francia, 1988; excepto la pista 7 que fue editada a principios de 1987, en el recopilatorio "1984 The Third "2xLP, también por NWR.
Montaña recuerda: Matute me dijo, al final de la grabación, "Este material dará que hablar y dará la vuelta al mundo, ya verás” .. y no se equivoco, era 1986.

Editamos esta versión digital del álbum, con el sonido extraído de una unidad original del EP francés nunca antes tocada, preservando su calidez de sonido original sin ser modificada. En memoria de José Eduardo Matute, a 35 años de haber sido registrada.

Transferencia de audio: Andrés Tapia del Rio.
Licencia para sincronización y descarga digital por Raúl Montañez.

ATENCIÓN: Buscamos un sello que quiera poner nuestra música de Ataque Frontal en lanzamientos de vinilo, cinta y otros formatos; si esta interesado, por favor contáctenos: andres.tapiadelrio76@gmail.com

*
Ataque Frontal:

In the 1980's, violence was more accentuated in Peru; Lima became a very dangerous place due to the actions of the extremists, police and state repression. Corrupt governments led to the collapse of the country's economy.

In this scenario, young people from different places of the city appeared with projects or bands, with a dirty and raw sound, with a narrative content, they have something to said; this movement was called Rock Subterráneo. Lyrics against the establishment release all the uncertainty that plagued young people back then: do it yourself (DIY) and be independent.

The first bands to appear in this new scene are Leusemia, Narcosis, Zcuela Crrada, Guerrilla Urbana and Autopsia. In Autopsia, Silvio sang (or it could be said, shout), this group was born from the dissolution of Narcosis.

José Eduardo Matute invites Silvio, who at that time is called “Espátula” to Guerrilla Urbana, which included two members of Leusemia, shortly after the entry of Raúl Montañez - Montaña (La Máquina del Rock, Leusemia, Zcuela Cerrada) and Fernando Boggio, change their name to Ataque Frontal.

The recording material was done live; began in the morning and ended before nightfall, it was carried out in the studio of Miki Gonzáles and the sound engineer was Wicho García -Narcosis vocalist- and we had the instruments that colleagues lent us from other bands, it was 1986. The album cover and design was created by artist Jaime Higa and the photo on the back cover was made by the poet Dalmacia Ruiz Rosas Samohod.

José E. Matute worked a lot connecting with international labels, sending this recording in letters and that is why this band was released on several demo tapes in Peru, Germany, France, Norway, Greece, etc., between 1986 to 1989. Finally, all the tracks of this recording were released in 7 "by New Wave Records - France, 1988, except track 7 which was released in early 1987, on the compilation" 1984 The Third "2xLP, also by NWR.

Montaña remembers: Matute told me, at the end of the recording, "This material will make people talk about it, and will make it around the world, you will see" ... and he's not mistaken, it was 1986.

We released this digital version of the album, with the sound taken from an original unit of the French EP never played before, preserving its original sound warmth without being modified. In memory of José Eduardo Matute, 35 years after being registered.

Audio transfered by Andrés Tapia.
License for synchronization and digital download by Raúl Montañez.

ATTENTION: We are looking for a label who wants to put our music from Gatoebrio and Mazo albums in vinyl and other formats releases for the first time, so if you are interested, please contact us.

For licensing enquiries Worldwide, please contact us: andres.tapiadelrio76@gmail.com

credits

released January 1, 1986

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repsychled Lima, Peru

Repsychled: Peruvian independent label. We manufacture high quality reissues from peruvian rock music of 60's & 70's. Most of them came from original master tape, and were remastered very carefuly to avoid any distortion who affects the original intention of the albums' recoridng. All our releases are fully licensed from labels or artists. Some of our reissue include bonus and unreleased tracks. ... more

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